Other Sound Design Projects

Re-Designed Foley:
Pokémon Pinball Ruby & Sapphire

In this project, I recorded new foley sound effects for 3 minutes of Pokémon Pinball gameplay.

I loved this GBA game as a teenager, so for the new sound design, I went for a nostalgic "Saturday morning cartoon" feel. I wanted it to feel light and silly.

After getting good enough at the game to capture 3 whole minutes of gameplay, I brought the video into Reaper and pulled the sounds out. Then I added in the sounds I had recorded and altered them to fit the mood.

To capture sounds, I used a field mic to record either my voice or household items.

Software Used: Reaper

Audio Storytelling: "DJ Wall-E"

The goal of this project was to use pre-recorded sound effects to tell a 1-minute story.

For this project, I wanted to tell a story of a robot finding music, like a cassette tape, and making his own music along with it.

The purpose of this project was to learn sound manipulation and effects. I chose sounds out of a database of 30 existing options to create the end result.

Software Used: Reaper

Listen to "DJ Wall-E":

Voice Recording & Editing:
Chapter 32 of So Long and Thanks for All The Fish

I recorded three voices reading one of my favorite Douglas Adams chapters, and edited them together to create an interesting sound experience.

I took the recordings of three voices and added in my own sound effects to create something like a radio play of the story chapter. I kept it weird, as fitting to the absurdity of the chapter.

The goal of this project was to learn how to record, mix, master, and edit voices. I used a field mic to capture the sound.

For the added sound effects, I used random objects like a vinyl jacket to get what I wanted. One of my favorite sounds was acheived through a really old synthesizer, with a violin sound effect and a broken reverb effect, sent through a cigarette box amp.

Software Used: Reaper

Chapter 32 of "So Long and Thanks for All the Fish" by Douglas Adams:

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